A View from the Bridge is set among the Italian-American longshoremen of Red Hook, Brooklyn, in the shadow of the Brooklyn Bridge, and is framed by the commentary of Alfieri, a neighbourhood lawyer who acts as a chorus and who knows from the start that the story will end in blood. Eddie Carbone, a hard-working dock labourer, lives with his wife Beatrice and her orphaned niece Catherine, whom they have raised.
Theme
Honor Shame
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Works
Beowulf remembers a northern heroic world through three combats that join glory to mortality. Hrothgar's hall Heorot, built as a center of gift-giving and song, becomes a place of terror when Grendel attacks the sleeping retainers.
Daisy Miller: A Study is told in close third person through Frederick Winterbourne, a young American who has lived most of his life in Geneva and has grown, in his aunt's phrase, too used to European ways. At a hotel in Vevey on Lake Geneva he meets Annie 'Daisy' Miller, a pretty, rich and uninhibited girl from Schenectady, New York, travelling with her vague, dyspeptic mother and her brash little brother Randolph, accompanied by a courier, Eugenio, whom they treat almost as a member of the family.
Effi Briest opens at Hohen-Cremmen, the Brandenburg estate of the Briest family, where seventeen-year-old Effi, playful and still half a child, is suddenly engaged to Baron Geert von Innstetten, a thirty-eight-year-old district administrator who long ago courted her mother. Effi accepts, partly from ambition and partly from a wish for excitement, and the couple marry and move to Kessin, a small Baltic resort town in Pomerania.
Lord Jim begins with an omniscient narrator describing Jim, a young English parson's son who went to sea after reading light holiday literature and dreams of heroic deeds. Injured by a falling spar, he recovers in an Eastern port and takes a berth as chief mate of the Patna, a decrepit steamer carrying eight hundred Muslim pilgrims across the Arabian Sea.
Sherman's Memoirs, published in two volumes in 1875 and revised in 1886, present themselves less as history than as testimony; in the preface to the second edition he says he writes as a witness before the tribunal of history, supplying material for some future historian. The first volume, the text stored in this library, runs from his Ohio boyhood to the Meridian campaign of February 1864.
Napoleon's Maxims of War is not a book Napoleon wrote but a compilation made by a French officer, General Burnod, who in 1827 published Maximes de guerre de Napoléon, drawn from the emperor's memoirs dictated on St Helena and other sources. The British officer George Charles D'Aguilar translated it into English in 1831, adding explanatory notes with examples from the campaigns of Gustavus Adolphus, Turenne, Montecuccoli, Frederick the Great and Napoleon himself.
Ruth is Gaskell's novel about a 'fallen woman', written to challenge the Victorian assumption that an unmarried mother and her child were beyond redemption. Ruth Hilton is a beautiful, innocent orphan of fifteen, apprenticed to a dressmaker, Mrs Mason, in a country town, where she works long hours in a cold workroom.
Seven Pillars of Wisdom is Lawrence's account of his two years with the Arab Revolt against the Ottoman Empire, from his first visit to the Hejaz in October 1916 to the entry into Damascus in October 1918. It opens with an introductory chapter that admits the book's political bad conscience: Lawrence knew that Britain and France had already divided the Arab lands in the Sykes–Picot agreement while he encouraged the Arabs to fight for independence.
Sir Gawain and the Green Knight opens at Arthur's Christmas court, where a green stranger interrupts the feast with a beheading game. Gawain accepts the challenge, cuts off the Green Knight's head, and must seek the Green Chapel a year later to receive the return blow.
Caesar's Commentarii de Bello Civili, in three books, narrate the first two years of the war he fought against Pompey and the senatorial party, from January 49 BCE to the beginning of the Alexandrian war in late 48. The work is unfinished, breaking off in Alexandria, and it is the most openly political of his writings: its constant task is to show that Caesar was forced into war by a faction of personal enemies, that he repeatedly sought peace, and that he treated defeated fellow citizens with a mercy his opponents never showed.
The Iliad tells of a few weeks in the tenth year of the Greek siege of Troy, and its subject, announced in the first line, is the wrath of Achilles. A plague sent by Apollo ravages the Greek camp because Agamemnon, commander of the Achaeans, has refused to return the captive daughter of Apollo's priest Chryses.
The Lais of Marie de France are twelve short narrative poems in octosyllabic rhyming couplets, preserved together in one manuscript (British Library, Harley 978) with a general prologue in which Marie dedicates them to a 'noble king', probably Henry II. She says she has heard Breton lais, songs commemorating adventures, and has put them into verse so they will not be forgotten.
The Meek One (Krotkaya), also translated as A Gentle Creature, is a long short story that Dostoyevsky published in his one-man journal A Writer's Diary in November 1876, prompted by newspaper reports of suicides, including that of a young seamstress who leapt from a window holding an icon. In a short preface Dostoyevsky calls it a 'fantastic' story, explaining that it is realistic in every respect except its form: it imagines the inner monologue of a man as though a stenographer could record his chaotic thoughts.
The Nibelungenlied is a medieval German epic of courtship, deception, insult and catastrophic revenge. Its first half centers on Siegfried, prince of Xanten, who comes to Worms hoping to win Kriemhild, sister of the Burgundian kings Gunther, Gernot and Giselher.
The Prince is a short treatise in twenty-six chapters that Machiavelli wrote in 1513, shortly after losing his post in the Florentine chancery, and dedicated, in its final form, to Lorenzo de' Medici, Duke of Urbino. In the dedication he offers the Medici what he calls his knowledge of the actions of great men, gained from long experience of modern affairs and continual reading of ancient ones.
The Song of Roland transforms a historical rearguard action in Charlemagne's Spanish campaign into a sacred and feudal epic of loyalty, betrayal, martyrdom, and judgment. The plot turns on Ganelon's resentment.
Troilus and Criseyde retells a story from the Trojan War tradition, but its real subject is erotic psychology under the pressure of fortune, language and time. Troilus, a Trojan prince and son of Priam, initially mocks lovers until he sees Criseyde in the temple and is struck by desire.