The Prince is a short treatise in twenty-six chapters that Machiavelli wrote in 1513, shortly after losing his post in the Florentine chancery, and dedicated, in its final form, to Lorenzo de' Medici, Duke of Urbino. In the dedication he offers the Medici what he calls his knowledge of the actions of great men, gained from long experience of modern affairs and continual reading of ancient ones.
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Renaissance Early Modern
Selected Sermons and Reformation Treatises gathers the Luther who speaks from pulpit, classroom, controversy, and pastoral desk. The center is not one genre but a reformatory voice: the Ninety-Five Theses against indulgence abuse, The Freedom of a Christian, sermons on faith and good works, catechetical teaching, and occasional writings shaped by conflict.
Dell'arte della guerra, printed in Florence in 1521, is the only one of Machiavelli's political works published in his lifetime. It is a dialogue in seven books, set in 1516 in the Orti Oricellari, the shaded garden of Cosimo Rucellai, where the humanist circle that Machiavelli frequented met to discuss Livy and republican government.
Latimer's Selected Sermons bring the English Reformation into a rough, vivid, public idiom. Unlike a systematic theologian, Latimer often sounds like a moral witness standing before court and commons at once.
Calvin's Selected Sermons present the Reformation as disciplined exposition rather than only protest. Preaching in Geneva, Calvin moved sequentially through biblical books, applying Scripture to doctrine, worship, civic life, household conduct, suffering, and church reform.
Montaigne called his pieces essais, 'trials' or 'attempts', and the word names both a method and a new literary genre. The book gathers 107 chapters in three books, ranging from one-page notes on thumbs, smells and names to the sprawling 'Apology for Raymond Sebond', which fills a sixth of the whole.
This small volume presents Montaigne's celebrated essay on friendship together with other essays from the Essais in M. A.
A Midsummer Night's Dream begins in Athens with a legal crisis: Egeus demands that Hermia marry Demetrius, while Hermia loves Lysander and faces punishment under Theseus's law. The lovers flee into the wood, followed by Demetrius and Helena, and the play transfers civic conflict into a night world governed by Oberon, Titania, Puck, and the flower whose juice alters desire.
Bacon's Essays, or Counsels, Civil and Moral, grew over almost thirty years from a slim volume of ten pieces in 1597 to fifty-eight in the final edition of 1625, the text used here. Bacon borrowed the name essay from Montaigne, but where Montaigne explored himself at leisure, Bacon compressed observation into dense, balanced sentences meant for men of business and government.
Twelfth Night begins with shipwreck, loss, and disguise. Viola believes her brother Sebastian drowned, enters Illyria as Cesario, and serves Duke Orsino, who sends her to woo Olivia.
The Ingenious Gentleman Don Quixote of La Mancha was published in two parts, in 1605 and 1615. An impoverished hidalgo of about fifty, Alonso Quixano, reads chivalric romances until, from too little sleep and too much reading, his brain dries up and he loses his wits.
King Lear begins with a political and familial error: Lear divides Britain according to a public love test, accepts the fluent flattery of Goneril and Regan, rejects Cordelia's plain truth, and banishes Kent for trying to correct him. The abdication leaves Lear with the name of king but without the substance of rule, and the tragedy strips away retinue, shelter, authority, sanity, and finally family.
Macbeth opens on a Scottish heath where three witches plan to meet Macbeth. Returning from victory over rebels and Norwegian invaders, Macbeth and his fellow general Banquo meet the witches, who hail Macbeth as Thane of Glamis, Thane of Cawdor and future king, and tell Banquo that his descendants will be kings.
The Novum Organum ('new instrument') is the second and only substantially completed part of Bacon's projected Instauratio Magna, a six-part plan to rebuild human knowledge from its foundations. Its title throws down a challenge to the Organon, the collection of Aristotle's logical works that had governed university teaching for centuries.
The Anatomy of Melancholy presents itself as a medical treatise, laid out in the scholastic manner of partitions, sections, members and subsections, on 'what it is, with all the kinds, causes, symptoms, prognostics, and several cures of it'. It is also an encyclopedia of Renaissance learning, a compendium of quotation from more than a thousand authors, a satire on human folly, and a consolation for its author and readers.
Donne's Sermons and Devotions upon Emergent Occasions bring the metaphysical imagination into pulpit and sickroom. The sermons, including Death's Duel, display a preacher fascinated by mortality, judgment, resurrection, the body, and the unstable boundary between private self and Christian community.
The Metaphysical Poets is Helen Gardner's anthology of English poets of the seventeenth century who wrote in the style that Samuel Johnson, borrowing a phrase from Dryden, called 'metaphysical'. Johnson complained that in their verse the most heterogeneous ideas were yoked by violence together; T.
The Discourse on the Method of Rightly Conducting One's Reason and Seeking Truth in the Sciences was published anonymously in Leiden in 1637 as a preface to three scientific essays, the Dioptrics, the Meteors and the Geometry. Descartes wrote it in French rather than Latin so that readers using their natural reason, including women, could judge it without scholastic training, and he presented it not as a treatise but as a history or fable of his own mind.
Meditationes de prima philosophia, published in Paris in 1641, compresses Descartes's metaphysics into six meditations, each imagined as a day's reflection by a solitary thinker seated by the fire in a dressing gown. The book was issued with six sets of Objections from learned readers (Caterus, Mersenne's circle, Hobbes, Arnauld, Gassendi and others) and Descartes's Replies, which are longer than the Meditations themselves; a second edition (Amsterdam, 1642) added the Jesuit Bourdin's Seventh Objections.
Les Passions de l'âme, published in Amsterdam and Paris in November 1649, was Descartes's last book and his fullest account of how mind and body interact in emotional life. It grew out of his correspondence with Princess Elisabeth of Bohemia, who in 1643 had asked him how an immaterial thinking soul could move a body, and who later pressed him on the regulation of grief and the good life.
Leviathan, or the Matter, Forme and Power of a Common-Wealth Ecclesiasticall and Civil was published in London in 1651, two years after the execution of Charles I, and its famous frontispiece shows a giant crowned sovereign whose body is made of hundreds of tiny subjects, holding a sword and a bishop's crozier above a peaceful town. The Introduction states the governing analogy: as art can make automata with springs for hearts and strings for nerves, so human art creates the commonwealth, an artificial man whose soul is sovereignty.
The Misanthrope and Other Plays collects several of Molière's comedies; the edition translated by John Wood and David Coward includes The Misanthrope, The Sicilian, Tartuffe, A Doctor in Spite of Himself and The Imaginary Invalid. Together they show the range of Molière's art, from the verse comedy of character to farce, and his satire of hypocrisy, pretension and medicine.
The Pensées ('Thoughts') are the fragments of an unfinished apology for the Christian religion, found after Pascal's death in 1662 as nearly a thousand notes, many on slips of paper threaded together in bundles. Pascal had planned a work that would first unsettle the complacent unbeliever (the honnête homme of polite society) by showing the misery and contradiction of the human condition, then show that Christianity alone explains that condition and offers its remedy.
Ethics Demonstrated in Geometrical Order is set out like Euclid: definitions, axioms, numbered propositions, proofs, corollaries and the discursive notes (scholia) where Spinoza speaks most freely. Its five parts lead from God to human blessedness.
Newton's Principia sets out the mathematical principles of natural philosophy and shows that the same laws can explain terrestrial motion and celestial order. The work begins with definitions of mass, quantity of motion, inertia, impressed force, centripetal force, absolute and relative space, and absolute and relative time.
Locke says in the Epistle to the Reader that the Essay began when five or six friends meeting in his rooms found themselves at a standstill over questions of morality and revealed religion, and he proposed that they first examine what objects human understanding is fitted to deal with. Nearly twenty years later the result was a long, patient survey of where ideas come from, how they combine, how words signify them and how far knowledge and probable belief can reach.
The Second Treatise, subtitled 'An Essay Concerning the True Original, Extent, and End of Civil Government', is the constructive half of Locke's Two Treatises. The First Treatise demolishes Sir Robert Filmer's Patriarcha, which derived the absolute power of kings from Adam's fatherly dominion.